Self-interview

"Today it is still possible to make the sculpture a plausible reality."

Alberto Giacometti-1901-1966 -

Have you sold any work in Artelista? R = No Do you live in your art? R = alive for art Who were your teachers? R = As I had not, the search in books that scrutinize being librarian of Fine Arts School of Valera. What do you think Artelista? R = Extraordinary idea that goes in crescendo with everyone's input. How do you autodenominarías Within your art world? R = Eclectic par excellence. Where were you born? R = In a field of Lagunillas municipality, Zulia state, however, live in Trujillo from seven years. .- Taking into Considering that the word Desescultura was the name given to one of his works - Desescultura 1991 - a major Catalan artist-Perejaume - Sant Pol de Mar 1957 -, who in turn has studied for several years about the relationship and interference between art and nature, how catalogarías yours?, respecting the original version, my proposal which seeks to establish the idea of a visual distortion between the Construction-Deconstruction process, trying to promote the Deconstruction, causing reactions from all Indole therefore, for all likes and dislikes. This distortion, which complements the fact that the word appears Desescultura although not in the dictionary-DRAE-nor in any dictionary of the world is a compound word with the prefix des-des-where would be the denial or deprivation per word se.

How did your desesculturas? R = in the beginning with an open mind however, as it approaches the iron sheet and subsequent polishing are acquiring their appearance.

This empiricism and is based on building-deconstruction, specifically, what environment already seen Collect? R = Try to play the puzzle of Conjunction: between the inner-self-and external-environment.

Why the self-interview where the idea? R = With autocurrículum, the work of Claudio Perna (1938-1997), the idea occurs to me, regarding a visit to excuse him back make him the Museum of Fine Arts in Caracas, however, the connotation of this self-interview goes well beyond a modest description of the artist-concerned for become a dangerous example of my work desescultórico where the reader-you-would you or the outside world, "my domain", the inner world and who would write the Conjunction.

What would be essential to develop your Desesculturas? R = Essential but not compelling, 1 .- Do it as you want and no one thinks it is like to others. 2 .- Do not look aesthetically, but not deny it completely. Irreverent 3 .- 4 .- 5 .- It is not smart repetitive

"Every creative process has a philosophical base, What would your Desesculturas? R = consider two famous Chaos Theory The unpredictable behavior of widely used by contemporary artists and the ratio of the philosopher Kant reveals three fundamental elements consistent with my Desesculturas: The Dado - Chaos Sensation - This Place - the building itself and finally something he called the thing or phenomenon-Conjunction.

How important are your Desesculturas for new technologies such as: the use of the PC to "improve" the works?

My Desesculturas not created with the help of new technologies, however, does not mean you will not receive assistance.

  How many solo exhibitions have? R = A (Gallery Asdrúbal Colmenárez NURR-ULA, Trujillo, Venezuela) as a collective? Art School Bishop José Humberto Contreras-Valera-2 - Biennials Salvador Valero-Trujillo - 3 - Public Library Mario Briceño Iragorry - Trujillo - 1 - Trapiche Museum of Nails - Boconó -1 - Museum of Prints and Design Carlos Cruz Diez - Caracas - 1 - Thanks and greetings again from the State Trujillo-Venezuela